Film/TV Workshop | 5 February 2013 01:25 CET

Nigeria: How the CIA Almost Disrupted My Movie Production - Niyi Towolawi

By Christabel Abiodun

Almost every Nigerian filmmaker shooting a multi-cultural movie that requires flying-in foreign technical crew into the country has a story to tell.

Owing to the state of insecurity being witnessed in various parts of the country, it is a tough call trying to convince and guarantee the safety of lives and equipment.

These challenges and more are some of the issues that United Kingdom based Nigerian movie producer, Niyi Towolawi, had to confront while shooting his latest film titled "Turning Point."

Shot on location for five weeks in New York, Philadelphia and Delaware, all in the U.S., and Nigeria, between October and November 2011, Towolawi, who has a degree in Mathematics from the University of Manchester, and a Masters in Computer Science from Oxford University in the U.K. shared some of the hurdles he had to scale through.

He says, "When my crew members were trying to get their visas, they were advised not to come to Nigeria. The CIA has a very comprehensive website that talks about the risks in Nigeria which says they were 70 per cent more likely to be kidnapped and there are tons of diseases and threats. It took me two months to convince them (CIA) that Nigeria is a safe country. Luckily, one of them knew someone who came to shoot a commercial here in Nigeria and he was like it(Nigeria) is the best place he has ever been to and that kind of convinced them a bit. Besides the equipment that was brought into the country was worth $200,000 and they could not get insurance in the US to actually bring it into Nigeria and I could not get them in Nigeria as well. I had to convince them to bring them along."

Full of optimism with regards to the positive responses the movie will generate when it begins showing in Nigerian cinemas in a few weeks time, Towolawi's face lights up in a smile when he recollects the great time the cast and crew had while shooting in Nigeria.

"They ate Suya everyday and then I took them to Kuramo Beach were they ate Indomie noodles and fried eggs and took tons of pictures. Then we went to Obalende market and area boys came out in droves then the key grip (person who supervises all grip crews and reports to the Director of Photography) from new York, who shot videos for Biggie, Tupac and other artistes showed some of the videos to the area boys. Surprisingly, one of them rapped to the songs. we had hundreds of area boys participating in the film without asking for payment. When we were leaving, they were all taking pictures," he said.

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